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“It’s literally firing but since Surfline didn’t say we can’t go out there!” Skeleton Bay, of course, is now a photo studio, Von Rupp just one of dozens of pro’s squeezing its sides.īetter than snorting crystal blow, as old-timers used to say.

First prize, the Indians take the pennant, the whole freakin’ enchilada!” Then, on Wednesday, at 10:03 AM, I got the call. It was a chance to prove that the gem I found not only stood up to every other world-class setup, but was on the very short list at the top.

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To me, it wasn’t just a free adventure for myself.

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Obsessed and possessed, I selfishly put personal and professional duties aside and spent my days formulating the ultimate package for the ultimate magazine surf trip. I corresponded with locals halfway around the world. “Logging some serious late-night hours online, I focused on studying the country, the terrain and bathymetry, the people, the marine life, weather-patterns, the cost, travel, logistics, etc. “From that moment, I committed to nothing else,” Gable wrote.

The Google Earth challenge was a Surfing magazine initiative to shoot a little out of the box, readers using the then new Google Earth tech to discover secret waves.ĭeal was, you tell the mag, they let you join a photo shoot to the joint.īrian Gable, an IT specialist, was a runner-up to the contest in 2007 (a wave in Western Sahara was chosen though no trip was made). Skeleton Bay, as you know, was brokered to the world by a magazine and a computer nerd in 2007. Von Rupp, who is thirty two, cannot live without the transcendence of tube riding, a place where he can lose his ego for a moment, the indispensable elevator that raises his phallus to its fullest height. In this compelling video, see the German-Portuguese shredder Nikolaus von Rupp get barrelled for roughly two-and-a-half clicks at Namibia’s famous Skeleton Bay, which is roughly 25 kms south of the town of Swakopmund. “Logging late-night hours online, I studied the the terrain, bathymetry, people, marine life, weather-patterns, the cost, travel, logistics…' To watch, it used to cost five bucks to rent. It is the story of a modern, self-made American woman.” It is the struggles, abuse, pain and joy. Surf is a beautiful backdrop but the real story is the epic poem of her life. “Trouble follows Lisa on her all too human journey. Over objections and common sense, she decided to have the child and in so doing magically broke through and achieved her dream of becoming a champ. “In the water, she was something else entirely, raging and fighting and surfing like a gorgeous disaster but could never quite put it all together, competitively, until career suicide presented itself in the form of an unexpected pregnancy.

She was, in fact, often abused in relationships, running away time and again when things got too bad. “She lived on the beach and in her car before being taken in by an abusive local surfboard shaper. “She’s the first woman to cross over into surfing celebrityhood and achieve a dominance that made the pig dudes shut up and take notice,” wrote Outside magazine in 1996. The result, “Trouble”, surprised the hell out of me, the story of a wounded bird that didn’t know where to beat its wings, an immutable sadness masked by vivacity. It wasn’t an easy ride for the Cardiff-based writer and director, trawling through hours of ex-boyfriend Dave Parmenter’s videos of the pair, mowing through editors, navigating the conflicting approaches of his v Roxy’s, deadlines that existed in only an ephemeral form, Smith getting his nourishment almost entirely from soft drinks, and a budget that quickly evaporated as Smith spent American dollars as if it were Italian lire. Six years ago, Chas Smith was commissioned by clothing giant Roxy to create a documentary on the four-time world champ Lisa Andersen, the gal whose surfing made most male shredders look they were using orthopaedic aids. “She's the first woman to cross over into surfing celebrityhood and achieve a dominance that made the pig dudes shut up and take notice.'